July: Lana Del Rey - Video Games

"Only worth living if somebody is loving you."

My friend Gab has great taste in music and she occasionally chucks a recommendation my way, so when my little instant messaging box started flashing recently I knew it was either going to be

a) a request for any good new songs I've heard, or

b) a tip in the right direction.

"Have you heard Lana del Rey yet? I think you'll like her."

And so I opened up the link and sat and listened.

It's brilliant.

Moody, sultry, stringy, beatsy, melodic, brilliant. Just a brilliant first single.

Let's see how she goes...

June: Fleet Foxes - Helplessness Blues

"What's my name, what's my station? Oh just tell me what I should do."

The fear I had with the new Fleet Foxes album was that it couldn't live up to either the hype or its predecessor. From the second I heard a leaked copy of the first track, 'Montezuma', I breathed a huge sigh of relief. I'm still not sure if it's quite as magical as the debut was but it's a real good record, nonetheless.

Title track 'Helplessness Blues' is probably my standout. Both lyrically and thematically as well as musically. Is it better to be unique - but alone - "like a snowflake", or just "a functioning cog in some great machinery", with all the communal benefits that brings? As great as the first album certainly is, the existential challenges sure weren't hitting too hard back then.

May: King Creosote and Jon Hopkins - Bats In The Attic

"It's such a waste of all that we had."

It was only a matter of time before personal favourite King Creosote made an appearance. New album 'Diamond Mine' (which he wrote and recorded, on and off, with Jon Hopkins over seven and a bit years) is truly gorgeous stuff, easily an early record of the year contender. The pair complement each other so naturally that you could easily assume they'd been writing together for years. Which they kind of have, given the album's gestation period, I guess.

Picking one track was tough but 'Bats in the Attic' just about won through because of how well I think it shows the two styles meshing. KC's easy melodies play over Hopkins' programmed piano and drum beats. Acerbic lyrics get sweetly whispered, leaving just enough room for doubt as to whether they're a simple lament or more lashing criticism ("How I'll laugh out loud about that when I read your simple novel that uses all our real names").

Regret captured beautifully.

April: Emily Jane White - The Law

"You can peer into the weaknesses and the bleakness in me."

Emily Jane White is someone who I've followed since her 2007 debut 'Dark Undercoat'. She's been making a bit of a name for herself in France without ever having the commercial success in the UK that she really deserves.

'The Law' is probably my favourite thing she's ever done. It starts with a beautifully picked guitar intro and a gentle melody. It's a seemingly light folk song. Just singer and acoustic, with little hint of the darker turn that the song will soon take once EJW sings of being able to "peer into the weaknesses and bleakness in me".

A piano suddenly thumps menacingly away. The volume slowly rises. She's "seen a glimpse of mortal hell". She wasn't joking when she admitted in an interview that "It isn't my job to write happy songs...and I'm ok with that".

Her French label, the excellent Talitres Records, are offering the song free as a download when you sign up to her mailing list, here.

March: Ryan Adams & The Cards - Death and Rats

"It's not supposed to rain today."

I've been listening to the newish Ryan Adams & The Cardinals a lot and love the song 'Death and Rats', in particular. Smithsy, jangly guitar is usually a pretty decent blueprint for a song to follow. Scary that this was something he'd just knocked out and wasn't even planning on releasing.

In other news, something I very much liked this month was Will Sheff's take on those people who were complaining that they'd never heard of the person who won 'Best New Artist' at the Grammys...

"I read pages and pages of people shouting in all caps "I'VE NEVER HEARD OF THEM" as if that's a valid musical critique, as if that's anything but a braying declaration of proud ignorance."

Will Sheff is fast becoming my hero.

February: Okkervil River - Mermaid

"And my heart fills with love, with too much love to bear."

I came across Okkervil River by complete fluke, about nine months ago. I clicked on a friend's Stumbleupon link to look at something completely different (it was some pictures of cakes, not so surprisingly for those who know me well...). Then, once I'd looked at that, I clicked on the 'Stumble' button and it brought up a list of the ten best Valentine's songs that people probably wouldn't have heard. Okkervil River's 'A Stone' (from their album 'Black Sheep Boy') was one of the first tracks I...erm...'stumbled upon'. And I loved it.

Back to the future and I'm now a huge Okkervil fan, so was well pleased to find out this week just gone that their new album ('I Am Very Far') is out in May. And before that, they've released this single, 'Mermaid', which won't be on the album for some maddeningly bizarre reason.

There's so many little touches on this which you only pick up on closer listens. Like the use of mandolin strings to conjure up the sound of the mermaid's "freezing fins fluttering" or the drum patterns which batter and blow the song and ship towards its stormy finale. The fact that everything here was recorded 'live', except for Sheff's vocals and the string section, is pretty damned amazing.

Another reason that I'm such a big Sheff and Okkervil River fan is the guy's poetry. I love a great tune and melody but a song that also gives you great lyrics and which tells a great story is worth double, to me.

"With a sickening flick of her tail, circling,
Her gills fill with cold, salty water.
She thrashes and twirls,
Her freezing fins, fluttering.

"My hands meet and they press to a point in the air,
But my mouth fills with more panic than prayer."

Like many Okkervil River songs, I found that I only started to get the best out of Mermaid once I'd listened to it a couple of times to really hear what's going on beneath the surface and to truly get a feel for the lyrics and metaphor at play. It's this blog's first 'record of the month' but I reckon it'll go some way to be beaten.